
Ellie Pritts
Digital
Education
2006 – 2007
Northern Illinois University, Music Performance, General.
2002 – 2006
Walter Payton College Preparatory.
Honours and Awards
2018
Cannes Gold Lion.
Gold Lion Social and Influencer Lions, Co-Creation & User.
Generated Content.
Content Shortlist, Mobile Lions.
Shortlist, Direct Lions.
2012
Chicago Reader Photo Issue.
Ellie Pritts (she/they) is a renowned multi-disciplinary artist whose work explores reinterpreted nostalgia via recursive analog and digital processes. Ellie started her creative path as a classically trained cellist who went on to study film photography at Columbia College when she was 14. After overcoming homelessness post high school, Ellie started a new life for herself as a professional photographer. She worked her way up the ranks of music’s biggest publications and by 2016 she was named one of TIME’s top photographers to follow. Her photography and video art has been featured by the likes of Showtime, WIRED and The Times and has been exhibited throughout the world. She is well known as a video artist and specialises in collaborative processes with AI and code. Commercially she has been commissioned by brands like Apple Music, Levi’s and Hyatt and worked with talent like Willow Smith and Coldplay. She is also recognized for her role in launching and Art Directing Apple on Instagram as well as co-founding the artist collective, Racer Trash, hailed as “the future of cinema” by The Verge. Her work has been commissioned for acclaimed film festivals such as TIFF, Fantastic Fest and Cucalores.
Selected
artworks

Future Recursion
Printed on sustainable fine art giclee paper, Hahnemühle Bamboo 290 76 x 76 cm, 127 x 127 cm
Quixodic Recursion II
Printed on sustainable fine art giclee paper, Hahnemühle Bamboo 290 76 x 76 cm, 127 x 127 cm
Solar recursion
Printed on sustainable fine art giclee paper, Hahnemühle Bamboo 290 76 x 76 cm, 127 x 127 cm
A Second Halo
Live coded on Hydra, modular synthesizer video and or/ AI generated video output + circuit bent hardware + software 51 x 76 cm
Background Noise 2
Live coded on Hydra, modular synthesizer video and or/ AI generated video output + circuit bent hardware + software
Marine Layer
Live coded on Hydra, modular synthesizer video and or/ AI generated video output + circuit bent hardware + software 61 x 41 cm
Nothing Is Final
Live coded on Hydra, modular synthesizer video and or/ AI generated video output + circuit bent hardware + software 61 x 41 cm
Phantom Limbs
Live coded on Hydra, modular synthesizer video and or/ AI generated video output + circuit bent hardware + software 76 x 76 cm
Quixotic Recursion I
Printed on sustainable fine art giclee paper, Hahnemühle Bamboo 290 76 x 76 cm; 127 x 127 cm