Adam Nathaniel Furman, ‘Lumalisk’, 2018, Biennale Interieur, Belgium.

Lumalisk was commissioned as one of the monumental centrepieces of the 2018 Biennale Interieur in Belgium, whose scenography by Studio Verter defined a walled piazza within the exhibition trade halls that was populated by three other installations together with this one. A collaboration with Abet Laminati. A 10 metre high traditional obelisk smashed through a […]

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Adam Nathaniel Furman, ‘Click Your Heels Together Three Times’, 2023, Canary Wharf, London, UK.

The new permanent installation, designed to celebrate Pride, becomes part of over 100 installations across Canary Wharf and the dedication to represent diverse voices and artists

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Adam Nathaniel Furman, ‘Look Down To Look Up’, Croydon Council, 2018, London, UK.

A public art commission of five large Ground Art works for Croydon Council, 2018. The city around us is the world’s biggest gallery, of life, of materials, of compositions, and our buildings provide endless delight, they are a starring attraction in that great permanent exhibition, we just need to look up at them. From the […]

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Adam Nathaniel Furman, Cassata Pavilion, 2023, KV Leipzig Festival, Germany.

A pavilion for the summer of 2023 in the Plasticpark in Leipzig, for the KV Leipzig Festival.  

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Adam Nathaniel Furman, ‘Tower of the Winds’, London Design Festival, Commissioned by British Land, 2019, London, UK.

A 14 metre high tower of colourful, translucent flags that flutter in the wind, a commission by British Land for London Design Festival 2019

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Adam Nathaniel Furman, ‘Gateaways’, 2017, London Design Festival, London, UK.

Four 4*4 metre ceramic gateways in Granary Square, King’s Cross, as the entrance feature for Design Junction, London Design Festival 2017. A collaboration with Turkish Ceramics. “Gateways was intended to promote Turkish ceramics, but it far exceeded its brief, becoming the visual focus for the whole festival.” Will Wiles, Port Magazine, September 29th 2017 Winner […]

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Adam Nathaniel Furman, Proud Little Pyramid, Commissioned by Argent LLP, London, UK.

Proud Little Pyramid, a commission for Argent LLP, used the recycled structure of the previous year’s giant Kings Cross Christmas tree to create a monumental anti-monument whose shape embodies urban grandiosity, but whose decoration drags that monumentality into being a fabulous performance of exuberant queerness that references the architectural history of King’s Cross, as well as its […]

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Adam Nathaniel Furman, Boudoir Babylon, 2020-21, Victoria, Australia.

A commission to queer the Museum’s 400 square metre cafe and surrounding spaces for the National Gallery of Victoria’s 2020-21 Triennial in collaboration with Sibling Architecture, together with a range of products (bum bags, hats, towels, wrist-bands, and t-shirts) on sale at the NGV Design Store created exclusively for the Triennial to coincide with the […]

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Adam Nathaniel Furman, Phoenix Priding, Coventry City of Culture, 2021, Coventry, UK.

An installation at the Yard for Coventry City of Culture 2021, as part of the Show Windows program curated by Charlie Levine,

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Adam Nathaniel Furman, ‘The Liberal Archive’ proposal for The British Library, 2020.

Proposal for an open repository of digital and material culture next to the British Library, 2020

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Adam Nathaniel Furman, ‘Babs’ Baldachino’, 2022, Commonwealth Games, Birmingham, UK.

A commission for the Commonwealth Games 2022 in Birmingham, for Fierce festival’s Healing Gardens of Bab, Babs’ Baldachino was a riotously delicious celebration of the spirit of queer Birmingham, an ostentatiously proud little temple to the goddess of West Midlands camp. Please, enter, look up, put your arms out and twinkle your fingertips as you […]

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Adam Nathaniel Furman, ‘Ercolano’, in collabroation with Botteganove, 2021.

Occasionally, when walking amongst the piles of stone, mounds of brick, after walking under the brave, disintegrating hulks of once vast forms in the ruins of ancient Italy, you sometimes come across a moment, a fragment in which all the flesh comes back to fill-out the sun-bleached bones of a lost world, in which the clothes, […]

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