Adam Nathaniel Furman, ‘Radiance’, 2020, Maternity Ward of Chelsea & Westminster Hospital, London, UK.
A series of architectural artworks in specially-made waterjet-cut ceramics for the Maternity ward of Chelsea & Westminster Hospital in London. The works, collectively called “Radiance” are all on the theme of birth and rebirth: “Birth is one of the great markers in our lives, our birth, giving birth, the start or expansion of a family, […]
Adam Nathaniel Furman, ‘Nagatacho’, 2017-19, Tokyo, Japan.
A palette of pastel colours, natural and artificial materials, and an open and interconnected layout with gathering at its heart, combine to create a voluptuous interior world of perfectly poised, gentle deviance. A combination of contemporary techniques and traditional craftmanship are used throughout, with wooden details and cabinetry made by hand by skilled carpenters, and […]
Adam Nathaniel Furman, ‘Little Towers’, London, UK.
A permanent public seating sculpture in Croydon, London, directly in front of East Croydon Station.
Adam Nathaniel Furman, ‘Croydon Colonnade’, 2023, London, UK.
Atelier ANF designed a colonnade that will contain a major new pedestrian thoroughfare in Croydon, South London, running underneath a new skyscraper. Formed entirely out of large, three-dimensional porcelain tiles, the arcade -which is 7metres high- will be a glittering and highly-crafted new public space for the city. More information and completion in Autumn 2023.
Adam Nathaniel Furman, ‘Fairfield Beacons’, 2023, London, UK.
Two of three ceramic beacons developed by AANF to mark the entry points into the newly landscaped Fairfield public space in the heart of Croydon. Six bespoke, screen-printed, vibrant tiles and tiling patterns based on local architectural landmarks representing every era of Croydon history were developed through a rigorous prototyping process, and worked up using UK […]
Jesse Woolston, Color Theory, 2022, Riyadh Festival, Riyadh, Saudi Arabia.
Color Theory for the Noor Riyadh festival of light and art, serves to demonstrate the beauty in natural phenomena and capture the sense of the philosophical sublime. The piece utilises machine to simulate the oceans, mimic how we observe specimens through a forced perspective, and paint new colour palettes through custom alogrithms inspired by art […]
Liz West, Chamber Series, 2007 – 2012 Installation.
Orange Chamber, Repeated Everyday, Yellow Chamber #3, Green Chamber, Red Chamber, Yellow Chamber #2, Blue Chamber and Yellow Chamber #1 , 2007 – 2012 Installation (wood, mirror, acrylic, paint, LED lights/T5 bulbs, objects) Dimensions variable 2007 – 2012 In a field of ephemeral objects, positioned to form an ambiguous landscape, the Chamber series explores the physicality […]
Liz West, Difference is Important, 2012, Installation.
Installation (paint, coloured bulbs, acrylic, mirror, objects) Dimensions variable 2012 Four colours, four rooms, Difference is Important utilises the irregular nature of the gallery space. Stepping into the rooms you are immersed by the brash, intense colour, stimulating your senses. Questioning the architecture of space and colouration of objects, the work dissects the building, questioning […]
Liz West, Tempo, 2013, Installation.
Installation (T5 fluorescent sticklights, extension cables) Variable dimensions, this image shows 250cm approx. diameter x 40cm (h) 2013 “The fluorescent sticklight, a key material in West’s new installations, is perhaps one of the most effective visual spatial devices. Aside from its obvious exuberant colours, its most striking feature is its stripped back materiality. West has […]